Blog

THE SCREENWRITING BLOG OF THE BLACK LIST

The Business of Screenwriting: 24/7/365

I can’t speak for most jobs nor for everyone, but I do know this: When I broke into the business as a screenwriter, it became an all consuming activity. For the better part of twenty-five years since I’ve been doing this, there is hardly any minute of any day where at least some part of who I am isn’t engaged in screenwriting.

Of course, there are the obvious times. Brainstorming, research, character development, plotting, and all the rest that comes with prepping a story. Writing the script, line by line, scene by scene, day after day. Rewriting the script — again — line by line, scene by scene, day after day.

That’s butt-on-chair, what we typically think of as ‘writing.’ But when you are a screenwriter, it’s much more than that.

When you go out to eat, any stray conversation of diners at a nearby table becomes an opportunity to snatch a potential line of dialogue.

When you stand at the end of the line in a grocery store, those ten minutes spent shuffling toward check-out allow you to glance at the tabloid headlines and see if there’s a story concept waiting to be found.

In fact any time you read a magazine, newspaper, website, book — anything! — part of your brain invariably thinks, “Is this a story? A scene? A theme? A character I can use?”

Same with TV, radio, web videos, any sort of electronic media has the potential at any given moment to present to you the Greatest Idea Ever.

Writing infuses your life. If you are working on a story about a cop, everywhere you drive, you see police cars. If you are writing a story about a pregnant woman, suddenly your world seems to be filled with waddling mamas-to-be. If you are pounding out a story about aliens from outer space, you start to study the night sky a little more closely.

Even your dreams become a tableau in which your stories play out. When I’m deep into a project, I oftentimes dream in screenplay form. Seriously. I see the characters in my dream on one side, a script on the other. And as the characters talk, their dialogue magically appears on the other side of my dreamscape. They move and the scene description appears. Sometimes I even edit the script in my dreams.

Conversation with your friends, your family, your lover… your mind drifts and you are back with your story’s characters… until your friends, your family, your lover call you on it… then you listen to them, nodding your head… until your mind drifts away to your story universe again…

The story universe. That is the secret to all this. When you write a story, you create a fictional realm. But because it is not bound by the laws of physics that this universe is, the story universe has the power to appear anywhere and anyhow it damn well pleases.

Which is to say that our story universe exists 24 hours a day, 7 days a week, 365 days a year over there. But even as we go on with our lives over here in this the ‘real’ universe, the story universe seeps into our consciousness, unconsciousness, and subconsciousness.

So in a way, a screenwriter is never not writing. We are always at work creating at some level of our being.

And that’s the way it should be. Because perhaps the most fundamental responsibility we have as writers is to immerse ourselves in our story universe. Become a part of that place. Know those characters. Dig into what’s happening there. All the better to craft a script that is compelling, vibrant, and authentic.

Perhaps we should think about it this way: In the ‘real’ universe, we are just visitors, guests for the relative nanosecond of our Earthly existence.

With our story universe, we are its creators. That’s an awesome responsibility… and a wondrous adventure.

And whether we know it or not, we are creating that story universe… 24/7/365.

Next week: Imagine the movie.

The Business of Screenwriting is a weekly series of GITS posts based upon my experiences as a complete Hollywood outsider who sold a spec script for a lot of money, parlayed that into a screenwriting career during which time I’ve made some good choices, some okay decisions, and some really stupid ones. Hopefully you’ll be the wiser for what you learn here.

5 thoughts on “The Business of Screenwriting: 24/7/365

  1. Pingback: “The Business of Screenwriting: 24/7/365″ « My Other Career

  2. What a great post, Scott, and how entirely awesome you dream in scripts, even editing. I’d love to dream in scripts.

    And yay obsessions, so fun to be consumed by them, just be careful what you’re consuming, it might be catching: http://neil-gaiman.tumblr.com/post/13589347782/this-is-your-brain-this-is-your-brain-on-art

    Example, today our kindergarten monkey took in a book she made, after watching mom and dad write and draw stories, from index cards she found and politely asked to have. “Guidebook to Animals”, most recent entry, “Long ago when dinosaurs were alive alligators were as big as school buses”, along with a beautiful drawing of an alligator. Sad part? Monkey’s written more than I have recently. But at least my brain can remain consumed by story while life obligates me in other ways.

    The cool part about screenwriting, I don’t think there’s another creative medium that allows you to wrap in so easily and relevantly everything you’ve ever learned about life, the universe, and all the fish. Fun and satisfying.

    • Ha! Your monkey sounds like a writer! Good for her. And thanks for that Neil Gaiman link. I have some Gaiman news in this weeks Saturday Hot Links.

      Re your thoughts about screenwriting: I love novels, short stories, poetry, but there is something uniquely compelling about screenplays as a narrative form. Maybe it’s just because I have had a lifelong passion for movies, but once I found screenwriting, I knew that was it.

      A screenplay can have the emotional depth and narrative expanse of a novel, but also the literary intensity of a poem, the restrictions of format, style and page count forcing a screenwriter to choose his/her words with the care of a poet.

      In other words, screenplay = cool!

      • What beautiful observations about the different forms, Scott. I am growing so partial to the screenplay format, and your thoughts help me understand why. It truly is art with purpose, poetry with function. Just 26 letters and a very precise format, now go at it, and pack it with as much meaning as you can :-)

        So monkey composed dinosaur line night before, picking her up at bus next day, she informed me she had a way to say it that was shorter (“In ancient times”). I fought for the more accurate longer first take (trust your instinct, good lesson), but was so darn charmed she’s editing her work (writer indeed). I think the primary obligation of pets and children is to entertain, extra points for charming, and monkey gets all kinds of points.

        Re 26 letters (so few, to read Japanese, recommended minimum to know, 1,000 characters), fun detail learned yesteday, we used to have another letter. You know how folks say “ye” to sound historical? Well, there was a letter that looks kind of like a Y that was actually a “th” sound, thorn.

  3. Pingback: Sterling Editing » Written on the internet

Leave a Reply

Connect with: