Written Interview: William Faulkner

A special Christmas present to the GITS community courtesy of Teddy Pasternak who found this interview with Nobel Prize-winning author William Faulkner. Here we get some insight into his rather tortured experience working as a screenwriter in Hollywood.

Q: What do you think of movie scriptwriting?

WF: A person is rehired the next year on the basis of how many times his name appeared on the screen the previous year. Much bribery ensues. In the old days they could give a producer three hundred pounds of sugar and be reasonable sure of getting their names on the screen. They really fight about it and for it.

Q: To what extent did you write the script for Slave Ship?

WF: I’m a motion picture doctor. When they find a section of a script they don’t like I rewrite it and continue to rewrite it until they are satisfied. I reworked sections in this picture. I don’t write scripts. I don’t know enough about it.

Q: It is rumored that once you asked your boss in Hollywood if it would be permissible for you to go home to work. He gave his approval. Thinking you meant Beverly Hills, he called you at that address and found that by home you had meant Oxford, Mississippi. Is there anything to this story?

WF: That story’s better than mine. I had been doing some patching for Howard Hawks on my first job. When the job was over, Howard suggested that I stay and pick up some of that easy money. I had got $6,000 for my work. That was more money than I had ever seen, and I thought it was more than was in Mississippi. I told him I would telegraph him when I was ready to go to work again. I stayed in Oxford a year, and sure enough the money was gone. I wired him and within a week I got a letter from William B. Hawks, his brother and my agent. Enclosed was a check for a week’s work less agent’s commission. These continued for a year with them thinking I was in Hollywood. Once a friend of mine came back from England after two years stay and found 104 checks enclosed in letters that had been pushed under his door. They are showing a little more efficiency now, so those things don’t happen much anymore.

Q: How do you like Hollywood?

WF: I don’t like the climate, the people, their way of life. Nothing ever happens and then one morning you wake up and find that you are 65. I prefer Florida.

For more of the interview, go here.

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