Today’s interview subject is playwright-screenwriter-director David Mamet. His film credits include The Verdict, The Untouchables, Glengarry Glen Ross, The Spanish Prisoner, Wag the Dog, State and Main, andSpartan. Here are some excerpts:

What’s your writing regimen?

I think I’m going to just start writing and keep writing until they throw me in jail. Other than that, I set aside all day every day for writing and break it up with going home to see my family or having lunch or getting a haircut. I hate to do that stuff.

Is writing a screenplay or stage play easier?

It would seem that you could do almost anything on film, but that’s part of the wonderful fascination of filmmaking. You say, well, okay, you can do anything you want. Now, what are you going to do? So that’s the wonderful challenge of film. Theoretically, I can do anything I want, limited only by my ability to express it in terms of the shot list. So that’s a fascinating challenge. So I don’t find it any more freeing or any more constrictive than writing plays. They each have their own strictures. The wisdom of how to understand those strictures fascinates me.

What are the strictures of playwriting?

Aristotle said it’s got to be about one thing. It’ll be one character doing one thing in the space of three days in one place, such that every aspect of the play is a journey of the character toward recognition of the situation. And at the end of recognizing the situation, he or she recognizes the situation, undergoes a transformation, the high becomes low, or in comedy, sometimes the low becomes high. That’s the stricture of playwriting.

For the rest of the interview at Screenwriters Utopia, go here.

[Originally posted June 7, 2009]