When the restaurant is empty Linguini and Colette bring Remy to meet Ego.
Remy: At first, Ego thinks it’s a joke. But as Linguini explains, Ego’s smile disappears. He doesn’t react beyond asking the occasional question. And when the story’s done, Ego stands, thanks us for the meal, and leaves, without another word. The following day, his review appears:
Anton Ego: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new: an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau’s famous motto, “Anyone can cook.” But I realize, only now do I truly understand what he meant. Not everyone can become a great artist; but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau’s, who is, in this critic’s opinion, nothing less than the finest chef in France. I will be returning to Gusteau’s soon, hungry for more.
— Ratatouille (2007), screenplay by Brad Bird, story by Jan Pinkava & Jim Capobianco & Brad Bird, additional story material by Emily Cook & Kathy Greenberg & Bob Peterson
The Daily Dialogue theme for the week is Pixar moments suggested by Mark Walker. Today’s suggestion by Daniel Cossu.
Trivia: Part of the story was initially supposed to take place in the catacombs below Paris. This idea was dropped when Brad Bird took over the project from Jan Pinkava. Only short sections taking place in the sewers remain from the original project.
Dialogue On Dialogue: “A great artist can come from anywhere.” That probably speaks to anyone who visits this blog. But also in a broader sense, it is about how each of us has the potential to do great things.