Character = Function

September 2nd, 2013 by

In a screenplay, characters exist for a reason. Unlike a novel, a writer doesn’t have unlimited time to introduce characters willy nilly, rather the limitations of a script’s length compels us to handle characters with one eye always on how they connect to the plot. Moreover almost all movies feature a Protagonist who goes through some sort of metamorphosis. As a result, it’s almost certain all of the primary and even secondary characters in a story tie into and support the Protagonist’s transformation.

All of this translates into a 3rd essential screenwriting principle I teach in the Core content of The Quest:

Character = Function

This may sound reductionist. It is precisely the opposite. Much like an actor asks, “What’s my motivation,” digging down into the core of their character’s persona, so, too, do we as screenwriters delve into characters to determine what their core essence is and how that plays out in terms of their respective narrative functions. Once we make those discoveries, we can shape our characters in unlimited ways, all the while playing to how they function in relation to the narrative.

That is the starting point of Core III: Character, a 1-week online class I will be teaching starting on Monday, September 9. In this course, you will learn about:

* Five primary character archetypes: Protagonist, Nemesis, Attractor, Mentor, Trickster

* Protagonist Metamorphosis Arc

* Nemesis as opposition and ‘shadow’

* Attractor as the character most connected to a Protagonist’s emotional development

* Mentor as the character most connected to a Protagonist’s intellectual development

* Trickster as the character who tests the Protagonist’s will

* Different Protagonist paradigms

* Working with archetypes and switching Protagonists

And much more. The course consists of four components:

  • Lectures: There are six lectures written by me, each posting Monday through Saturday.
  • Writing Exercises: These optional exercises offer you the opportunity to workshop one of your own loglines and receive feedback from class members and myself.
  • Teleconference: We will have a Skype teleconference call to discuss course material.
  • Forums: The online course site has forums where you may post questions / comments.

We will analyze the following movies: The Wizard of Oz, The Apartment, The Silence of the Lambs, Slumdog Millionaire, Citizen Kane, Ferris Bueller’s Day Off, and Life Is Beautiful,

For those of you who have not taken an online class, the interface is extremely easy. Plus online classes can be an amazing experience. Most of the activities you can do on your own time — download and read lectures, review and respond to forum discussions, upload loglines and track comments. In addition, I’ve been teaching online for over a decade and it never ceases to amaze me how much of a community emerges in such an environment.

Core III: Character is one of eight classes in the Core curriculum. Here is the schedule for all of them this fall, the only time I will be offering these courses in 2013:

August 26: Core I: Plot

September 2: Core II: Concept

September 9: Core III: Character

September 16: Core IV: Style

September 30: Core V: Dialogue

October 21: Core VI: Scene

November 4: Core VII: Theme

November 18: Core VIII: Time

Choose one or two depending upon your interests and needs. Or if you’re really serious and want to save some coin (nearly 50% off), consider The Core Package which gives you immediate access to the content for all eight Core classes which you can go through at your own pace, as well as the option of taking each 1-week online course.

“Joining Scott’s class is one of the best decisions anyone could make when deciding to embark on the journey of writing a screenplay. His passion for teaching and screenwriting could not be more inspirational. I couldn’t wish for a better teacher and mentor!” — Theodora von Auersperg

I have spent years studying Carl Jung, who was a huge influence on Joseph Campbell, and as the Hero’s Journey may act as a paradigm for narrative generally, I am convinced there is a similar universality in movies relative to these five character archetypes. Moreover these archetypes are a key to character-based screenwriting, providing writers a non-formulaic way to engage the story-crafting process.

For information on Core III: Character, which begins September 9, go here.

For The Core Package, go here.

I look forward to the opportunity to work with you!

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