How you approach screenwriting style is a reflection of your writing voice. This is the case whether you are intentional about it or not. A professional script reader, who plows through hundreds of scripts per year, will pick up on a script’s sense of style – or lack thereof – from the very first line of scene description. Therefore it stands to reason you need to think about your writing voice as conveyed in your script’s style. And that is what Core IV: Style is all about, exploring the breadth and depth of the 4th essential screenwriting principle I teach in the Core content of The Quest:
Style = Voice
Start with this question: Who tells your story? Obviously, when you sit down to create a screenplay, you write the story. But when a manager, producer, agent, or studio executive reads your script, who tells your story to them?
It is someone who remains largely invisible, but whose presence is felt from FADE IN to FADE OUT. Someone about whom many screenwriters have little knowledge and yet traffic in that unseen world every time they write a scene. Someone who can make a screenplay a great read – or something less.
Let’s call it Narrative Voice.
Narrative Voice is not a narrator per se. You will never see it with its own side of dialogue. In fact, you will never name it in your screenplay. But Narrative Voice is there. And it is a critical aspect of your script’s success.
What is Narrative Voice?
Narrative Voice is the storytelling sensibility you bring to your screenplay through your writing style. Think of Narrative Voice as your script’s invisible character. Although silent, it is present in every scene, every line, every word you write. As you develop and sharpen each visible character in your screenplay, you also need to figure out who your Narrative Voice is, what your Narrative Voice sounds like, and how your Narrative Voice will play an active role in the telling of your story.
In Core IV: Style, a 1-week online class I will teach starting on Monday, September 16, you will learn about:
* The ins and outs of Narrative Voice
* Elements of screenplay style
* Psychological writing (Perspective, Proximity, Perception)
* Imagematic writing (Verbs, Descriptors, Poetics)
* Action writing (Lines, Paragraphs, Direction)
And much more. The course consists of four components:
- Lectures: There are six lectures written by me, each posting Monday through Saturday.
- Writing Exercises: These optional exercises offer you the opportunity to test out your own writing style, plus the chance to workshop and receive feedback on one of your own loglines.
- Teleconference: We will have a Skype teleconference call to discuss course material.
- Forums: The online course site has forums where you may post questions / comments.
Our study scripts: Wall-E, The Hangover, The Dark Knight, Butch Cassidy and the Sundance Kid, The Last Boy Scout, Ferris Bueller’s Day Off, Chinatown, The Matrix, Black Swan, Legally Blonde, American Beauty, Little Miss Sunshine, Basic Instinct, Unforgiven, True Grit, The King’s Speech, and Winter’s Bone.
For those of you who have not taken an online class, the interface is extremely easy. Plus online classes can be an amazing experience. Most of the activities you can do on your own time — download and read lectures, review and respond to forum discussions, upload loglines and track comments. In addition, I’ve been teaching online for over a decade and it never ceases to amaze me how much of a community emerges in such an environment.
Core IV: Style is one of eight classes in the Core curriculum. Here is the schedule for the remaining five classes, the only time I will be offering these courses in 2013:
September 16: Core IV: Style
September 30: Core V: Dialogue
October 21: Core VI: Scene
November 4: Core VII: Theme
November 18: Core VIII: Time
Choose one or two depending upon your interests and needs. Or if you’re really serious and want to save some coin (nearly 50% off), consider The Core Package which gives you immediate access to the content for all eight Core classes which you can go through at your own pace, as well as the option of taking each 1-week online course.
“When I found out about Scott Myers’ Screenwriting Master Class, I signed up for the first module, to test the waters, but before the week was out, I’d signed up for the rest [The Core Package]. Wish I’d known about it all those years ago! Value for money, solid understandable notes, a teacher who’s been there and done it, plus swapping ideas with fellow writers – it doesn’t get any more real.” — Philip Brewster
I have gotten to know dozens of professional script readers throughout the years and I can let you in on this little secret: A writer’s voice as exhibited in screenplay style goes a long way toward winning them over and getting you favorable script coverage.
For information on Core IV: Style, which begins September 16, go here.
For The Core Package, go here.
I look forward to the opportunity to work with you!