2022 Zero Draft Thirty March Challenge: Day 12 One month. FADE IN to FADE OUT. Creativity meets Productivity.
3 Trends Screenwriters Need to Heed Changes in technology and entertainment platforms are having an effect on how to approach writing a screenplay.
Video: “How I Wrote ‘The Dark Knight’” A compilation of first-person clips which explore Christopher Nolan’s writing process and his psychological take on the Bruce Wayne /…
2022 Zero Draft Thirty March Challenge: Day 11 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Script Analysis: ‘Sound of Metal’ — Scene-By-Scene Breakdown Read the script for this award-winning drama set in the world heavy metal music.
Writing and the Creative Life: Here’s to Us Night Owls! “The conventional wisdom is that morning people are high achievers, go-getters, while late risers are lazy. But what if going to bed in the…
Page One: “In the Heat of the Night” (1968) Screenplay by Stirling Silliphant, based on a novel by John Ball
2022 Zero Draft Thirty March Challenge: Day 10 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Script Analysis: “The Social Network” —Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
2022 Zero Draft Thirty March Challenge: Day 9 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Script Analysis: “The Silence of the Lambs” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Great Scene: “The Dark Knight” “And you know the thing about chaos, Harvey? It’s fair. You live. You die.”
Page One: “If Beale Street Could Talk” (2018) Written for the screen by Barry Jenkins, based on the book by James Baldwin
Story: A character we care about confronts complex challenges created by a compelling crisis with a… My alliterative definition of Story.
2022 Zero Draft Thirty March Challenge: Day 8 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Spec Script Formatting Primers An amazing resource for TV writers provided by the Writers Guild Foundation.
Screenwriting 101: Shane Black “I think about the audience in the sense that I serve as my own audience. I have to please myself that way, if I saw the movie in theatre…
