Script Analysis: “Palm Springs” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Writing and the Creative Life: Something is Better Than Nothing “No matter what you write, good or bad, it’s an improvement to a blank page.”
Page One: “Harry Potter and the Half-Blood Prince” (2009) Screenplay by Steve Kloves, novel by J.K. Rowling
This is something I wrote several years ago. https://gointothestory.blcklst.com/so-called-screenwriting-rules-c5010139d6f5
Reflections on 4th Annual Black List / Women In Film Feature Writers Lab Writers who participated in this year’s Black List / Women in Film Feature Writer’s Lab reflect on their experience.
Interview (Part 4): Haley Bartels My interview with the 2021 Nicholl Fellowships in Screenwriting winner.
Script Analysis: “Parasite” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
The Business of Screenwriting: Hurry up and wait The bane of a screenwriter’s existence: They want the script NOW… then they make you WAIT… and wait… and wait…
Spec Script Deal: “The Girl with a Thousand Names” New Line acquires drama spec script “The Girl with a Thousand Names” written by Issa Lopez. Via Deadline:
Interview (Part 3): Haley Bartels My interview with the 2021 Nicholl Fellowships in Screenwriting winner.
Script Analysis: “One Night in Miami”: Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
“There are no screenwriting rules” No matter what you have read or may have heard. Perhaps the source is a so-called screenwriting “guru.” Maybe it’s a friend. A member of…
Page One: “Twins” (1988) Written by William Davies & William Osborne and Timothy Harris & Herschel Weingrod
Spec Script Deal: “Blood Count” Paramount Pictures acquires supernatural thriller spec script “Blood Count” written by Peter Ramsey. Via Deadline:
Interview (Part 2): Haley Bartels My interview with the 2021 Nicholl Fellowships in Screenwriting winner.
Script Analysis: “Nomadland” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Screenwriting 101: Stephany Folsom “In my outline, I lay out what needs to happen in the scene, and how it’s part of the overall plot, and what the characters need to get…
Thanks, Joe. That said, all three of those scripts are great recommendations (and I’ve read all three of those, too).
Yes, Philip, I agree 100%. A character we care about confronts complex challenges created by a compelling crisis.
Barry, I'm not even sure we should consider the presence of conflict as a rule. But you hit on the larger point: feel free to play around with conventions. Subvert expectations. Go against type. All in service of…
The Definitive Spec Script Deals List [1991–2022] Pretty much ever since I broke into the movie business in 1987, I have been keeping track of spec script deals. This list is, as far as I…
Interview (Part 1): Haley Bartels My interview with the 2021 Nicholl Fellowships in Screenwriting winner.