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Yet Another Reason Why I Keep Hosting This Blog At the end of a trying year, a wonderful grace note to open the door to 2021.
How to Use Go Into The Story: Learn the Business “What you learn about the business of filmmaking and TV may or may not influence your creative choices, but in order to survive as a…
How to Use Go Into The Story: Study the Craft “Breaking into Hollywood, let alone building and sustaining a writing career there is extremely challenging. You must push yourself to…
More Movies Like This, Please: 2020 List I started something in 2012. Whenever I saw a new movie I liked, I would jump onto Twitter, identify the movie, then simply tweet: “More…
How to Use Go Into The Story: Write Pages “You can’t make a sale… you can’t land representation… you can’t go up for writing assignments… you can’t have the credibility to pitch a…
Update: 2020–2021 Award Season Screenplay Downloads — 1 New Script, 17 Total It’s that time of year again when studios and production companies make available PDFs of movie scripts for award season.
Becky, good to hear. Anyhow, I encourage you to keep at it. I'll be posting something in early January: 30 Days of Screenplays: Vol. 3, soliciting suggestions…
How to Use Go Into The Story (Part 2): Read Scripts Some end of the year advice for Go Into The Story readers.
Screenwriting 101: Richard Brooks “The difference between man (and I mean ‘man’ for men and women both) and all the other animals in the world is that other animals can know…
2020 Black List Word Cloud Logline Challenge: Winners! Some inventive loglines based on key words from 2020 Black List scripts.
On Writing “I wake up, write three hours — a thousand words. The next day, I reread that thousand words I wrote yesterday. And then I write my next…
Sundays with Ray Bradbury “I can imagine all kinds of worlds and places, but I cannot imagine a world without Bradbury.” — Neil Gaiman
Dan Harmon, The Hero’s Journey, and the Circle Theory of Story “To this day, Harmon still studies each film and TV show he watches, searching for his algorithm underneath, checking to see if the theory…
Steven, thanks as always for your reflections. Thus, the physical journey is about events and interactions which compel the Protagonist to see themselves in a new light, to allow their…
Kathryn, there's no rule on when to introduce a Nemesis. More important than WHEN you introduce a Nemesis is WHAT the nature of their relationship is to the Protagonist. Bonus points if the…