Daily Dialogue — March 9, 2018 “Are you guys like boyfriend-girlfriend? Steady dates? Lovers? Come on, sporto, level with me. Do you slip her the hot beef injection?”
I agree re the ending. The ending is much more nuanced reflecting the complex nature of human existence. Indeed, one could argue the mixture of drama and humor…
Excellent work, Lois. So the scenes you highlight (not in bold) which provide “insight into characters and their relationships”, each of them impacts the story…
Script Analysis: “Three Billboards Outside Ebbing, Missouri” — Part 4: Themes Read the script for the critically acclaimed indie film and analyze it all this week.
2018 Zero Draft Thirty March Challenge: Day 8 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Interview (Part 4): Vigil Chime (2017 Nicholl Winner) My 6-part talk with the writer of the script “Bring Back Girl”.
Daily Dialogue — March 8, 2018 Rhiannon: Whoa, whoa, wait, wait. You didn’t have — Olive: No, no, of course not. Rhiannon: You… liar! You totally lost your V card…
Script Analysis: “Three Billboards Outside Ebbing, Missouri” — Part 3: Characters Read the script for the critically acclaimed indie film and analyze it all this week.
2018 Zero Draft Thirty March Challenge: Day 7 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Interview (Part 3): Vigil Chime (2017 Nicholl Winner) My 6-part talk with the writer of the script “Bring Back Girl”.
Script To Screen: “Double Indemnity” A key scene from the classic 1944 thriller Double Indemnity [screenplay by Billy Wilder and Raymond Chandler, novel by James M. Cain.
Daily Dialogue — March 7, 2018 Big Red: I’m sexy, I’m cute, / I’m popular to boot. Big Red, Whitney, Courtney, Darcy, Carver, Kasey, Torrance Shipman: I’m bitchin’, great…
I’m pressed for time and hope to have a larger conversation about the story’s plot, however, let me… “Watched it last night. It really had my attention from the start, and I was especially impressed with how it opened and got the audience…
Ed, let’s carry over the conversation about the ending to the Plot post, number 2 in the series. I’ll post something about that in the second installment of this series and let’s discuss, if you’re up for it.
Nechesa, you make a really great point, one which I hope we can explore when we delve into… Thanks for that observation!
Script Analysis: “Three Billboards Outside Ebbing, Missouri” — Part 2: Plot Read the script for the critically acclaimed indie film and analyze it all this week.
2018 Zero Draft Thirty March Challenge: Day 6 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Interview (Part 2): Vigil Chime (2017 Nicholl Winner) My 6-part talk with the writer of the script “Bring Back Girl”.
Screenwriting 101: Scott Neustadter “I love writing, but what I really love is having written. I don’t like anything I write. Twice in my life — reality/expectations and the…
Daily Dialogue — March 6, 2018 Bleeker retrieves a book from his open locker. Juno marches up to him, belly leading the way.
I read the script while watching the movie on a recent flight, so let me kick off our discussion by… It’s a terrific script.
Script Analysis: “Three Billboards Outside Ebbing, Missouri” — Part 1: Scene By Scene Breakdown Read the script for the critically acclaimed indie film and analyze it all this week.
2018 Zero Draft Thirty March Challenge: Day 5 One month. FADE IN to FADE OUT. Creativity meets Productivity.
Interview (Part 1): Vigil Chime (2017 Nicholl Winner) My 6-part talk with the writer of the script “Bring Back Girl”.
