Charlie Kaufman BAFTA lecture [Part 2]

On September 30, 2011, screenwriter Charlie Kaufman gave a lecture at a British Academy of Film and Television Arts event. I thought his presentation offered such wonderful insights not only into Kaufman’s world view, but also the very act of creativity that we should go through the entire thing on GITS. Today: Part 2.

But it is the way it is with my work; I feel you sort of need to stay where you are, in the moment, with the work. So I thought it would be helpful to start with this, because if I were writing a screenplay about this event I would spend a lot of time thinking about what this event is, how it feels to the person speaking, how it might feel to the audience, what it means to be an audience, both as a group — because an audience is an organism — but also as something made up of individuals. I’ll hopefully get to that later because I’ve written about that as well.
But another thing this introduction has done is to have allowed me to feel like I can go ahead and do this. It allows me to come up here and be a limited struggling human being, so what I’m offering here as a thing to take from this is that it’s important to free yourself in any way you can so you can do your work.
Here’s a recent quote that I found: ‘We do not talk, we bludgeon one another with facts and theories gleaned from cursory readings of newspapers, magazines and digests.’ That was actually written in 1945 by Henry Miller and I think it’s timely. I think what it says is that the world has been on its present course for a long time. People all over the world spend countless hours of their lives every week being fed entertainment in the form of movies, TV shows, newspapers, YouTube videos and the internet. And it’s ludicrous to believe that this stuff doesn’t alter our brains.
It’s also equally ludicrous to believe that — at the very least — this mass distraction and manipulation is not convenient for the people who are in charge. People are starving. They may not know it because they’re being fed mass produced garbage. The packaging is colourful and loud, but it’s produced in the same factories that make Pop Tarts and iPads, by people sitting around thinking, ‘What can we do to get people to buy more of these?’
And they’re very good at their jobs. But that’s what it is you’re getting, because that’s what they’re making. They’re selling you something. And the world is built on this now. Politics and government are built on this, corporations are built on this.
Interpersonal relationships are built on this. And we’re starving, all of us, and we’re killing each other, and we’re hating each other, and we’re calling each other liars and evil because it’s all become marketing and we want to win because we’re lonely and empty and scared and we’re led to believe winning will change all that. But there is no winning.
What can be done? Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won’t be born for 500 years. Your writing will be a record of your time. It can’t help but be that. But more importantly, if you’re honest about who you are, you’ll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope. It’s done so for me and I have to keep rediscovering it. It has profound importance in my life. Give that to the world, rather than selling something to the world. Don’t allow yourself to be tricked into thinking that the way things are is the way the world must work and that in the end selling is what everyone must do. Try not to.
This is from E. E. Cummings: ‘To be nobody but yourself in a world which is doing its best night and day to make you everybody else means to fight the hardest battle which any human being can fight, and never stop fighting.’ The world needs you. It doesn’t need you at a party having read a book about how to appear smart at parties — these books exist, and they’re tempting — but resist falling into that trap. The world needs you at the party starting real conversations, saying, ‘I don’t know,’ and being kind.

For Part 1 of this series, go here.

To watch the video of Kaufman’s presentation, go here.

To subscribe to the BAFTA newsletter, go here.

To the best fansite dedicated to Charlie Kaufman, go to Being Charlie Kaufman.

HT to @Brentwgraham for the link.

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