Deep Focus: The Go Into The Movies Project — Scripts and Screenwriting

In order to be a good screenwriter, you have to do more than learn about screenwriting. Indeed you must immerse yourself in the world of cinema. There are several reasons for this:

* It is important to know at least something of the history of filmmaking in order to have a context in which you can write our own stories.

* You gain inspiration from seeing, studying, and analyzing movies and screenplays.

* Every time you see a movie, analyze a screenplay, read a book about film, you learn something about the craft.

* There is a Gestalt understanding of the screenwriting craft you gain from our lifetime experience of cinema.

* If you expect to work in Hollywood, it’s critical you have a broad exposure to movies in order to be able to traffic in the countless film references people in the industry use every day.

I’m sure you can add other reasons to this list. Suffice to say to have any realistic chance of becoming a working screenwriter, you need to immerse yourself in the world of movies.

And so this: “Deep Focus: The Go Into The Movies Project.” Consider this a very poor man’s / woman’s version of film school, cobbling together titles, links, and resources you can use to go into the movies. There are five subject areas:

* Movies

* Scripts and Screenwriting

* Film Analysis and Criticism

* Filmmakers

* The Evolution of Filmmaking

The concept is this: I will create a post each day this week for each subject area. Included in each post is a list of resources. You may add suggestions in comments. I will update the original post as need be. Then I will create a link under List for Deep Focus: The Go Into The Movies Project where you can access these five pages. Occasionally I will re-post them for additional suggestions and update the lists.

No, this is not the equivalent of an MFA from NYU or USC. But it reflects what I believe to be true as articulated in this mantra:

Read scripts.
Watch movies.
Write pages.

If you do that, if you immerse yourself in the world of movies and practice the craft of writing on a daily basis, you will exponentially increase your chances of success as a screenwriter.

For Subject Area II: Scripts and Screenwriting, see you below the fold!

SUBJECT AREA II: SCRIPTS AND SCREENWRITING

Scripts

The WGA 101 list

  1. CASABLANCA
    Screenplay by Julius J. & Philip G. Epstein and Howard Koch. Based on the play “Everybody Comes to Rick’s” by Murray Burnett and Joan Alison
    FACTS ABOUT THE FILM
    2.THE GODFATHER
    Screenplay by Mario Puzo and Francis Ford Coppola. Based on the novel by Mario Puzo
    FACTS ABOUT THE FILM
    3.CHINATOWN
    Written by Robert Towne
    FACTS ABOUT THE FILM
    4.CITIZEN KANE
    Written by Herman Mankiewicz and Orson Welles
    FACTS ABOUT THE FILM
    5.ALL ABOUT EVE
    Screenplay by Joseph L. Mankiewicz. Based on “The Wisdom of Eve,” a short story and radio play by Mary Orr
    FACTS ABOUT THE FILM
    6.ANNIE HALL
    Written by Woody Allen and Marshall Brickman
    FACTS ABOUT THE FILM
    7.SUNSET BLVD.
    Written by Charles Brackett & Billy Wilder and D.M. Marshman, Jr.
    FACTS ABOUT THE FILM
    8.NETWORK
    Written by Paddy Chayefsky
    FACTS ABOUT THE FILM
    9.SOME LIKE IT HOT
    Screenplay by Billy Wilder & I.A.L. Diamond. Based on “Fanfare of Love,” a German film written by Robert Thoeren and M. Logan
    FACTS ABOUT THE FILM
    10.THE GODFATHER II
    Screenplay by Francis Ford Coppola and Mario Puzo. Based on Mario Puzo’s novel “The Godfather”
    FACTS ABOUT THE FILM
    11.BUTCH CASSIDY AND THE SUNDANCE KID
    Written by William Goldman
    12.DR. STRANGELOVEScreenplay by Stanley Kubrick and Peter George and Terry Southern. Based on novel “Red Alert” by Peter George
    13.THE GRADUATE
    Screenplay by Calder Willingham and Buck Henry. Based on the novel by Charles Webb
    14.LAWRENCE OF ARABIA
    Screenplay by Robert Bolt and Michael Wilson. Based on the life and writings of Col. T.E. Lawrence
    15.THE APARTMENT
    Written by Billy Wilder & I.A.L. Diamond
    16.PULP FICTION
    Written by Quentin Tarantino. Stories by Quentin Tarantino & Roger Avary
    17.TOOTSIE
    Screenplay by Larry Gelbart and Murray Schisgal. Story by Don McGuire and Larry Gelbart
    18.ON THE WATERFRONT
    Screen Story and Screenplay by Budd Schulberg. Based on “Crime on the Waterfront” articles by Malcolm Johnson
    19.TO KILL A MOCKINGBIRD
    Screenplay by Horton Foote. Based on the novel by Harper Lee
    20.IT’S A WONDERFUL LIFE
    Screenplay by Frances Goodrich & Albert Hackett & Frank Capra. Based on short story “The Greatest Gift” by Philip Van Doren Stern. Contributions to screenplay Michael Wilson and Jo Swerling
    21.NORTH BY NORTHWEST
    Written by Ernest Lehman
    22.THE SHAWSHANK REDEMPTION
    Screenplay by Frank Darabont. Based on the short story “Rita Hayworth and the Shawshank Redemption” by Stephen King
    23.GONE WITH THE WIND
    Screenplay by Sidney Howard. Based on the novel by Margaret Mitchell
    24.ETERNAL SUNSHINE OF THE SPOTLESS MIND
    Screenplay by Charlie Kaufman. Story by Charlie Kaufman & Michel Gondry & Pierre Bismuth
    25.THE WIZARD OF OZ
    Screenplay by Noel Langley and Florence Ryerson and Edgar Allan Woolf Adaptation by Noel Langley. Based on the novel by L. Frank Baum
    26.DOUBLE INDEMNITY
    Screenplay by Billy Wilder and Raymond Chandler. Based on the novel by James M. Cain
    27.GROUNDHOG DAY
    Screenplay by Danny Rubin and Harold Ramis. Story by Danny Rubin
    28.SHAKESPEARE IN LOVE
    Written by Marc Norman and Tom Stoppard
    29.SULLIVAN’S TRAVELS
    Written by Preston Sturges
    30.UNFORGIVEN
    Written by David Webb Peoples
    31.HIS GIRL FRIDAY
    Screenplay by Charles Lederer. Based on the play “The Front Page” by Ben Hecht & Charles MacArthur
    32.FARGO
    Written by Joel Coen & Ethan Coen
    33.THE THIRD MAN
    Screenplay by Graham Greene. Story by Graham Greene. Based on the short story by Graham Greene
    34.THE SWEET SMELL OF SUCCESS
    Screenplay by Clifford Odets and Ernest Lehman. From a novelette by Ernest Lehman
    35.THE USUAL SUSPECTS
    Written by Christopher McQuarrie
    36.MIDNIGHT COWBOY
    Screenplay by Waldo Salt. Based on the novel by James Leo Herlihy
    37.THE PHILADELPHIA STORYScreenplay by Donald Ogden Stewart. Based on the play by Philip Barry
    38.AMERICAN BEAUTY
    Written by Alan Ball
    39.THE STING
    Written by David S. Ward
    40.WHEN HARRY MET SALLY
    Written by Nora Ephron
    41.GOODFELLAS
    Screenplay by Nicholas Pileggi & Martin Scorsese. Based on book “Wise Guy” by Nicholas Pileggi
    42.RAIDERS OF THE LOST ARK
    Screenplay by Lawrence Kasdan. Story by George Lucas and Philip Kaufman
    43.TAXI DRIVER
    Written by Paul Schrader
    44.THE BEST YEARS OF OUR LIVES
    Screenplay by Robert E. Sherwood. Based on novel “Glory For Me” by MacKinley Kantor
    45.ONE FLEW OVER THE CUCKOO’S NEST
    Screenplay by Lawrence Hauben and Bo Goldman. Based on the novel by Ken Kesey
    46.THE TREASURE OF THE SIERRA MADRE
    Screenplay by John Huston. Based on the novel by B. Traven
    47.THE MALTESE FALCON
    Screenplay by John Huston. Based on the novel by Dashiell Hammett
    48.THE BRIDGE ON THE RIVER KWAI
    Screenplay by Carl Foreman and Michael Wilson. Based on the novel by Pierre Boulle
    49.SCHINDLER’S LIST
    Screenplay by Steven Zaillian. Based on the novel by Thomas Keneally
    50.THE SIXTH SENSE
    Written by M. Night Shyamalan
    51.BROADCAST NEWS
    Written by James L. Brooks
    52.THE LADY EVE
    Screenplay by Preston Sturges. Story by Monckton Hoffe
    53.ALL THE PRESIDENT’S MEN
    Screenplay by William Goldman. Based on the book by Carl Bernstein & Bob Woodward
    54.MANHATTAN
    Written by Woody Allen & Marshall Brickman
    55.APOCALYPSE NOW
    Written by John Milius and Francis Coppola. Narration by Michael Herr
    56.BACK TO THE FUTURE
    Written by Robert Zemeckis & Bob Gale
    57.CRIMES AND MISDEMEANORS
    Written by Woody Allen
    58.ORDINARY PEOPLE
    Screenplay by Alvin Sargent. Based on the novel by Judith Guest
    59.IT HAPPENED ONE NIGHT
    Screenplay by Robert Riskin. Based on the story “Night Bus” by Samuel Hopkins Adams
    60.L.A. CONFIDENTIAL
    Screenplay by Brian Helgeland & Curtis Hanson. Based on the novel by James Ellroy
    61.THE SILENCE OF THE LAMBS
    Screenplay by Ted Tally. Based on the novel by Thomas Harris
    62.MOONSTRUCKWritten by John Patrick Shanley
    63.JAWS
    Screenplay by Peter Benchley and Carl Gottlieb. Based on the novel by Peter Benchley
    64.TERMS OF ENDEARMENT
    Screenplay by James L. Brooks. Based on the novel by Larry McMurtry
    65.SINGIN’ IN THE RAIN
    Screen Story and Screenplay by Betty Comden & Adolph Green. Based on the song by Arthur Freed and Nacio Herb Brown
    66.JERRY MAGUIRE
    Written by Cameron Crowe
    67.E.T. THE EXTRA-TERRESTRIAL
    Written by Melissa Mathison
    68.STAR WARS
    Written by George Lucas
    69.DOG DAY AFTERNOON
    Screenplay by Frank Pierson. Based on a magazine article by P.F. Kluge and Thomas Moore
    70.THE AFRICAN QUEEN
    Screenplay by James Agee and John Huston. Based on the novel by C.S. Forester
    71.THE LION IN WINTER
    Screenplay by James Goldman. Based on the play by James Goldman
    72.THELMA & LOUISE
    Written by Callie Khouri
    73.AMADEUS
    Screenplay by Peter Shaffer. Based on his play
    74.BEING JOHN MALKOVICH
    Written by Charlie Kaufman
    75.HIGH NOON
    Screenplay by Carl Foreman. Based on short story “The Tin Star” by John W. Cunningham
    76.RAGING BULL
    Screenplay by Paul Schrader and Mardik Martin. Based on the book by Jake La Motta with Joseph Carter and Peter Savage
    77.ADAPTATION
    Screenplay by Charlie Kaufman and Donald Kaufman. Based on the book “The Orchid Thief” by Susan Orlean
    78.ROCKY
    Written by Sylvester Stallone
    79.THE PRODUCERS
    Written by Mel Brooks
    80.WITNESS
    Screenplay by Earl W. Wallace & William Kelley. Story by William Kelley and Pamela Wallace & Earl W. Wallace
    81.BEING THERE
    Screenplay by Jerzy Kosinski. Inspired by the novel by Jerzy Kosinski
    82.COOL HAND LUKE
    Screenplay by Donn Pearce and Frank Pierson. Based on the novel by Donn Pearce
    83.REAR WINDOW
    Screenplay by John Michael Hayes. Based on the short story by Cornell Woolrich
    84.THE PRINCESS BRIDE
    Screenplay by William Goldman. Based on his novel
    85.LA GRANDE ILLUSION
    Written by Jean Renoir and Charles Spaak
    86.HAROLD & MAUDE
    Written by Colin Higgins
    87.8 1/2Screenplay by Federico Fellini, Tullio Pinelli, Ennio Flaiano, Brunello Rond. Story by Fellini, Flaiano
    88.FIELD OF DREAMS
    Screenplay by Phil Alden Robinson. Based on the book by W.P. Kinsella
    89.FORREST GUMP
    Screenplay by Eric Roth. Based on the novel by Winston Groom
    90.SIDEWAYS
    Screenplay by Alexander Payne & Jim Taylor. Based on the novel by Rex Pickett
    91.THE VERDICT
    Screenplay by David Mamet. Based on the novel by Barry Reed
    92.PSYCHO
    Screenplay by Joseph Stefano. Based on the novel by Robert Bloch
    93.DO THE RIGHT THING
    Written by Spike Lee
    94.PATTON
    Screen Story and Screenplay by Francis Ford Coppola and Edmund H. North. Based on “A Soldier’s Story” by Omar H. Bradley and “Patton: Ordeal and Triumph” by Ladislas Farago
    95.HANNAH AND HER SISTERS
    Written by Woody Allen
    96.THE HUSTLER
    Screenplay by Sidney Carroll & Robert Rossen. Based on the novel by Walter Tevis
    97.THE SEARCHERS
    Screenplay by Frank S. Nugent. Based on the novel by Alan Le May
    98.THE GRAPES OF WRATH
    Screenplay by Nunnally Johnson. Based on the novel by John Steinbeck
    99.THE WILD BUNCH
    Screenplay by Walon Green and Sam Peckinpah. Story by Walon Green and Roy Sickner
    100.MEMENTO
    Screenplay by Christopher Nolan. Based on the short story “Memento Mori” by Jonathan Nolan
    101.NOTORIOUS
    Written by Ben Hecht

Another thing you can do is read and study screenplays by genre, writing style, and theme. Here is a list of screenplays created by the Go Into The Story community:

Action Writing

Aliens
Alien (Walter Hill and David Giler draft)
The Bourne Identity
Butch Cassidy and the Sundance Kid
Dark Knight, The
Die Hard
Gladiator
Fight Club
Last Boy Scout, The
Indiana Jones and the Raiders of the Lost Ark
Matrix, The
Pirates of the Caribbean: The Curse of the Black Pearl
Robocop
Salt
Star Trek
Terminator 2

Comedy Writing

40 Year-Old Virgin
A Fish Called Wanda
Airplane
American Pie
Broadcast News
Dazed and Confused
Down and Out in Beverly Hills
Dr. Strangelove
Ferris Bueller’s Day Off
Hangover, The
Harold and Maude
His Girl Friday
Legally Blonde
Liar, Liar
Little Miss Sunshine
Mean Girls
O Brother, Where Art Thou?
Parenthood
Planes, Trains and Automobiles
Ratatouille
Shrek
Some Like It Hot
Tootsie
Wedding Crashers
When Harry Met Sally
Young Frankenstein

Dramatic Writing

All About Eve
Before the Devil Knows Youíre Dead
Breaking Away
Bridge on the River Kwai, The
Brokeback Mountain
Casablanca
Chinatown
Cool Hand Luke
Dead Poet’s Society
Deer Hunter, The
Dog Day Afternoon
Fahrenheit 451 (Darabont Draft)
French Lieutenant’s Woman, The
Godfather, The
Godfather, The — Part 2
Good Will Hunting
Jaws
Kramer vs. Kramer
Michael Clayton
Moon
No Country for Old Men
One Flew Over the Cuckooís Nest
Platoon
Rocky
Searching for Bobby Fischer
Shakespeare in Love
Shawshank Redemption, The
Shawshank Redemption, The (93 draft)
Thelma & Louise
Unforgiven
Up in the Air
Verdict, The
Who’s Afraid of Virginia Woolf?
You Can Count On Me

Fantasy Writing

Big Fish
Brazil
Eternal Sunshine of the Spotless Mind
Groundhog Day
Killing on Carnival Row
Many Deaths of Barnaby James, The
Lord of the Rings Trilogy
Pan’s Labyrinth
Princess Bride, The
Stranger Than Fiction
Wizard of Oz, The

Horror Writing

Black Christmas (1974)
Carrie
Exorcist, The
Halloween
Howling, The
Mist, The
Nightmare on Elm Street
Poltergeist
Rosemaryís Baby
Scream
Shining, The
Thing, The
Zombieland

Thriller Writing

Basic Instinct
Blood Simple
Buried
Fatal Attraction
Fugitive, The
Jaws
Lookout, The (1998 Draft)
Memento
Rear Window
Se7en
Silence of the Lambs, The
Signs
Sixth Sense, The
What Lies Beneath
Zodiac

Character Writing

Adaptation
Almost Famous
American Beauty
As Good As It Gets
Blade Runner
Crying Game, The
Diner
Erin Brockovich
Fargo
Finding Nemo
Forrest Gump
Harold and Maude
Graduate, The
In Bruges
Juno
Moonstruck
Office Space
Ordinary People
Platoon
Sunset Boulevard
Traffic

Dialogue Writing

A Streetcar Named Desire
Annie Hall
Barton Fink
Big Chill, The
Broadcast News
Bull Durham
Butch Cassidy and the Sundance Kid
Casablanca
Departed, The
Double Indemnity
Fargo
Ferris Bueller’s Day Off
Glengarry Glen Ross
Goodfellas
Hospital, The
Inglourious Basterds
Miller’s Crossing
Network
North by Northwest
Ordinary People
Parenthood
Princess Bride, The
Repo Man
Roxanne
Rushmore
Say Anything
Sunset Boulevard
To Kill A Mockingbird
Untouchables, The
When Harry Met Sally

Emotional Depth

Amadeus
Apartment, The
As Good As It Gets
Big
Body Heat
Boogie Nights
Braveheart
Breakfast Club, The
Breaking Away
Bridge on the River Kwai, The
Broadcast News
Bull Durham
Buried
Casablanca
Children of Men
Chinatown
Citizen Kane
Crying Game, The
Dead Poets Society, The
Deer Hunter, The
Diving Bell and the Butterfly, The
Dog Day Afternoon
E.T.
Elephant Man
Erin Brockovich
Eternal Sunshine of the Spotless Mind
Exorcist, The
Fatal Attraction
Field of Dreams
Finding Nemo
Forrest Gump
Godfather, The
Godfather, The — Part 2
Good Will Hunting
Graduate, The
Grapes of Wrath, The
History of Violence, A
How Green Was My Valley
Hurt Locker
In Bruges
Indecent Proposal
It’s a Wonderful Life
Jerry Maguire
Juno
Kill Bill, Vol. 1 and 2
Kiss of the Spider Woman
Knocked Up
Kramer vs. Kramer
Lawrence of Arabia
Lion King, The
Little Miss Sunshine
Local Hero
Moon
Moonstruck
Mr. Smith Goes to Washington
Natural, The
On the Waterfront
One Flew Over the Cuckoo’s Next
Ordinary People
Pan’s Labyrinth
Parenthood
Planes, Trains & Automobiles
Platoon
Precious
Pretty in Pink
Princess Bride, The
Rachel Getting Married
Rebel Without a Cause
Rocky
Rosemary’s Baby
Roxanne
Say Anything
Schindler’s List
Searching for Bobby Fisher
Se7en
Sex, Lies and Videotape
Shawshank Redemption, The
Shrek
Sideways
Silence of the Lambs, The
Sixth Sense, The
Slumdog Millionaire
Stalag 17
Sweet Hereafter, The
Taken
Taxi Driver
Thelma & Louise
This Boy’s Life
To Kill a Mockingbird
Tootsie
Toy Story
Toy Story 2
Traffic
True Grit
Unforgiven
Up
Up in the Air
Verdict, The
Visitor, The
Wall-E
Witness
Wizard of Oz, The
Wrestler, The
You Can Count On Me

Flashback Writing

Casablanca
Citizen Kane
Eternal Sunshine of the Spotless Mind
Forrest Gump
Hours, The
Ordinary People
Robocop
Shawshank Redemption, The
Silence of the Lambs, The
Sixth Sense, The
Slumdog Millionaire
Sunset Blvd

Narrative Voice

48 Hours
A Clockwork Orange
Ace Ventura
Adaptation
Body Heat
Butch Cassidy and the Sundance Kid
Chinatown
Fahrenheit 451
Inglourious Basterds
Last Boy Scout, The
Notting Hill
Usual Suspects, The

Nonlinear Writing

(500) Days of Summer
Adaptation
Eternal Sunshine of the Spotless Mind
Jacob’s Ladder
Memento
Out of Sight
Pulp Fiction
Reservoir Dogs

Style Writing

(500) Days of Summer
Alien (Walter Hill & David Giler draft)
Balls Out
Basic Instinct
Beaver, The
Broadcast News
Crash
Election
Get Shorty
Go
Heathers
Lethal Weapon
Local Hero
Matrix, The
Network
Pulp Fiction
Raging Bull
Repo Man
Romancing the Stone
Scream
Trainspotting
Up in the Air
Wall-E

Subplot Writing

A Serious Man
Adaptation
American Graffiti
As Good As It Gets
Back to the Future
Big Chill, The
Dark Knight, The
Diner
Ferris Bueller’s Day Off
Little Miss Sunshine
MASH
One Flew Over the Cuckoo’s Nest
Pan’s Labyrinth
Pirates of the Caribbean: The Curse of the Black Pearl
Pulp Fiction
Syriana
Traffic

Voiceover Writing

A Clockwork Orange
Adaptation
All About Eve
American Beauty
Annie Hall
Apocalypse Now
Big Lebowski, The
Bull Durham
Casino
Double Indemnity
Fight Club
Forrest Gump
Goodfellas
How Green Was My Valley
Informant, The
It’s a Wonderful Life
Kiss Kiss, Bang Bang
Royal Tenenbaums, The
Shawshank Redemption, The
Stand By Me
Sunset Blvd.
Taxi Driver
To Kill a Mockingbird
Trainspotting
Usual Suspects, The

A majority of these scripts are available for free online. Your best bets to find them:

SimplyScripts

Script Slug

There used to be many other public online script resources, but lawsuits by movie studios resulted in several of them shutting down. That said, the two above have thousands of scripts online. And if there’s one you can’t find at MyPDFscripts, contact Sheridan there and ask if he can find one. He is remarkably good at sourcing scripts.

It goes without saying that all of this is for educational purposes only.

Another thing you should do is read current spec scripts. Those are a bit trickier to come by. The best resource I know is The Tracking Board which has a forum with an extensive database of spec scripts. It is a subscription site and you have to agree not to share scripts you access from the site — again for educational purposes only — but you can find a vast majority of spec scripts that are in circulation at The Tracking Board.

Screenwriting

In terms of screenwriting, while there are a zillion books and DVD series by various screenwriting ‘gurus’ out there, I will not list any of them here. First, I don’t want to promote any particular approach over another. Second, if I list one, then everybody will want their book included, and I don’t want to open those floodgates. Third, in all honesty, you do not need to read anybody’s book on screenwriting to learn the craft. Rather focus on the primary source material: scripts and interviews with actual screenwriters.

Screenwriter Interview Books

“American Screenwriters: The Insiders’ Look at the Art, the Craft, and the Business of Writing Movies,” edited by Karl Schanzer & Thomas Lee Wright

“Backstory: Interviews With Screenwriters, Volumes 1–4,” edited by Patrick McGilligan

“The Craft of the Screenwriter,” edited by John Brady

“The New Screenwriter Look at the New Screenwriter,” edited by William Froug

“The Screenwriter Looks at the Screenwriter,” edited by William Froug

“Screenwriter: Words Become Pictures,” edited by Lee Server

“Screenwriters: The Best in the Businesss Discuss Their Craft,” edited by Joel Engel

“Oscar-Winning Screenwriters On Screenwriting: The Award-Winning Best in the Business Discuss Their Craft,” edited by Joel Engel

“Screenwriters’ Masterclass: Screenwriters Talk About Their Greatest Movies,” edited by Kevin Conroy Scott

“Why We Write: Personal Statements and Photographic Portraits of 25 Top Screenwriters,” edited by Lorian Tamara Elbert

It’s amazing how many of these books are available to buy used for next to nothing. In fact, I just purchased one for twenty-five cents!

Reading scripts and interviews with screenwriters is a direct way of learning the craft of screenwriting as well as immerse yourself in the world of movies.

If you have any recommendations or suggestions for additional resources in terms of scripts and interviews with screenwriters, please post in comments, and I will add to the OP as warranted.

Tomorrow: Film Analysis and Criticism.