Go Into The Story Movie Analysis: Inside Out

Starting Monday, we begin our next installment of the Go Into The Story Movie Analysis series: Inside Out, screenplay by Meg LeFauve & Josh Cooley and Pete Docter, story by Pete Docter & Ronaldo Del Carmen, additional dialogue by Amy Poehler & Bill Hader.

To date per Box Office Mojo, Inside Out has generated $444M in worldwide theatrical revenues and continues to do strong business in its 4th week of release.

Our schedule for discussion next week:

Monday: General Comments
Tuesday: Plot
Wednesday: Characters
Thursday: Themes
Friday: Takeaways

Why watch movies?

Because to be a good screenwriter, you need to have a broad exposure to the world of film. Every movie you see is a potential reference point for your writing, everything from story concepts you generate to characters you develop to scenes you construct. Moreover people who work in the movie business constantly reference existing movies when discussing stories you write; it’s a shorthand way of getting across what they mean or envision.

But most importantly, you need to watch movies in order to ‘get’ how movie stories work. If you immerse yourself in the world of film, it’s like a Gestalt experience where you begin to grasp intuitively scene composition, story structure, character functions, dialogue and subtext, transitions and pacing, and so on.

Movies must be in your lifeblood — and the best way to do that is to watch and analyze them.

This series is your Call To Adventure! So do yourself a favor: Watch Inside Out and join the discussion beginning Monday, July 20.

If you have found interviews and/or analysis of the movie, please post in comments.

The movie’s website here.

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