Go Into The Story Script Reading & Analysis: All Is Lost

Go Into The Story Script Reading & Analysis: All Is Lost

Starting Monday, we begin our next installment of the Go Into The Story Script Reading & Analysis series: All Is Lost, written and directed by J.C. Chandor.

You may download the script here. It’s a fascinating read for several reasons, the most obvious of which is this: It’s all of 31 pages long.

The schedule for the week’s discussion:

Monday: Scene-By-Scene Breakdown
Tuesday: Major Plot Points
Wednesday: Sequences
Thursday: Psychological Journey
Friday: Takeaways

The scene-by-scene breakdown for All Is Lost was prepared by Chris Faulkner.

I hammer on the importance of reading scripts. Now let me allow another screenwriter to make the point. Chris Sparling (Buried, ATM, The Atticus Institute) said this when I interviewed him and asked for the best single piece of advice to learn the craft of screenwriting:

Screenwriters need to read screenplays. You have to, have to, have to. It’s a free education and it’s arguably just as good as any other form of education you could get in this field. I can say, wholeheartedly, reading screenplays made me a better screenwriter. And like I said, it’s free. Few things of that much value are.

This series is your Call To Adventure! So do yourself a favor: Read the script for All Is Lost and join the discussion starting Monday, June 15.

For links to all of the script analyses we have done on the blog, go here.

For the scene-by-scene script breakdowns, go here.