Interview: Ehren Kruger (“Transformers”)

A /film interview with screenwriter Ehren Kruger who has written all three Transformers sequels:

How do you write for Michael Bay’s style?

Writing for Michael is very — he’s a very sensory director, and sometimes an “overload” director. He’s someone who is always looking to top himself, certainly from an action perspective and a stylistic perspective. So very early on we’re throwing ideas back and forth. We talk about sequences and visuals and moments. Whereas in some other films, or “ordinary” films, you might be very slavish to story and narrative first, and logical sense above all. When you’re talking about aliens, robotic machines which disguise themselves as vehicles and animals, you start to make your peace with the idea that logical sense doesn’t have to be the be-all, end-all. It needs to be amazing fun for the audience. They need to be swept up, and be promised that they’re going to see things that make it worth spending money on a ticket.

This film, and some other Transformers films, does away with, for example, some basic connective tissue between story sequences.

At moments it is quasi-experimental, yes. You have to understand, with a big summer movie like this, especially this franchise, [Michael Bay] doesn’t quite look at it like competing with movies. He looks at it like “should I go see Transformers, or spend a day at Six Flags?” There’s a big spectacle quality to it that he is promising, and that is one of the things that makes this franchise different than your X-Men, Spider-Man, or Planet of the Apes films. It’s something this series does that is its own style. That is all part of the package. Some days, it’s like writing a Cirque du Soleil show.

For the rest of the interview, go here.

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