“Conversations With Wilder”: Part 5 Billy Wilder is my all-time favorite filmmaker. Consider just some of his movies: Double Indemnity (1944), Sunset Blvd. (1950), Stalag 17…
Video: Karen McCullah and Kirsten Smith The screenwriters of 10 Things I Hate About You, Legally Blonde, and She’s the Man share insights into their creative process.
Writing and the Creative Life: The incurable disease of writing “In psychological terms, it seems that drive is more important than talent in producing creative work.”
Just generally, Russell, screenwriters do well to have multiple projects lined up. https://gointothestory.blcklst.com/how-to-generate-and-critique-story-ideas-10-part-series-d6313c783b94
My very favorite movie ending: The Apartment. It’s perfect. Tender Mercies. Wonderful movie written by the late great Horton Foote. Incredible, but I suppose not surprising that so many movies end…
Reflections on Carl Jung: Make the Darkness Conscious Carl Jung’s theory of individuation is directly applicable to the Protagonist’s journey in a screenplay.
“Conversations With Wilder”: Part 4 Billy Wilder is my all-time favorite filmmaker. Consider just some of his movies: Double Indemnity (1944), Sunset Blvd. (1950), Stalag 17…
Video: David Magee The screenwriter of Finding Neverland, Life of Pi, and Mary Poppins Returns shares insights into his creative process.
The Business of Screenwriting: There’s a green light… I’m attending a fundraiser for my son’s elementary school. It’s an alternative private school on the Westside, an institution that prides…
Strange, Mickelle. Work for me. Try this: https://screenwritingmasterclass.com/product/core-iv-style/
Page One: “Vanilla Sky” (2001) Screenplay by Cameron Crowe, based on a film by Alejandro Amenábar, Mateo Gil
Reflections on Carl Jung: Make the Unconscious Conscious Carl Jung’s theory of individuation is directly applicable to the Protagonist’s journey in a screenplay.
“Conversations With Wilder”: Part 3 Billy Wilder is my all-time favorite filmmaker. Consider just some of his movies: Double Indemnity (1944), Sunset Blvd. (1950), Stalag 17…
Video: Ava DuVernay The screenwriter of I Will Follow, Middle of Nowhere, When They See Us, and Queen Sugar shares insights into her creative process.
Great Scene: “The Exorcist” “Regan sits up and with a nightmare slowness, a fraction at a time, her head begins to turn, swiveling like a mannequin’s and creaking with…
Reflections on Carl Jung: Are We Related to the Infinite or Not? Carl Jung’s theory of individuation is directly applicable to the Protagonist’s journey in a screenplay.
“Conversations With Wilder”: Part 2 Billy Wilder is my all-time favorite filmmaker. Consider just some of his movies: Double Indemnity (1944), Sunset Blvd. (1950), Stalag 17…
Video: Dustin Lance Black The screenwriter of Milk, J. Edgar, and When We Rise shares insights into his creative process.
Screenwriting 101: Richard Price “This is the immutable law of the business: The only screenplays that aren’t tampered with are the ones that aren’t made. A movie is not a…
Style = Voice Style goes beyond mere “scene description.” My one-week online class focuses on expressing your voice on the page. It begins Monday…
“Conversations With Wilder”: Part 1 Billy Wilder is my all-time favorite filmmaker. Consider just some of his movies: Double Indemnity (1944), Sunset Blvd. (1950), Stalag 17…
Video: John August The screenwriter of Big Fish, Charlie and the Chocolate Factory, and Aladdin shares insights into his creative process.