Protagonist v. Nemesis: Keys to Conflict The simplest way to imbue a story with a strong, central conflict is to have your Protagonist confront a Nemesis.
Great Scene: “Wonder Woman” Diana single-handedly takes on the German Army in the breathtaking No Man’s Land scene from the movie Wonder Woman.
Go Into The Story Resource: The Story Behind Script Coverage Script readers are Hollywood’s threshold guardians, so it behooves writers to try to understand their mindset.
Real World Screenwriting: Know Movies You hear this a lot in script meetings: “It’s like that scene in…”
How They Write a Script: Ted Tally (“The Silence of the Lambs”) Ted Tally is yet another screenwriter who started out as a playwright. His film credits include White Palace (1990), The Juror (1996), All…
Writing and the Creative Life: Why Your Brain Loves Good Storytelling Part 4: What Is / What Could Be / What Is / What Could Be / What Is…
Page One: “The Little Mermaid” (1989) Written by John Musker and Ron Clements, based on a fairy tale by Hans Christian Andersen
Go Into The Story Resource: Character Introductions Everything you need to know about the subject… and probably more.
Videos: Academy Originals Screenwriter Interviews Featuring John August, Ava DuVernay, Eric Roth, Aline Brosh McKenna, David Seidler, Dustin Lance Black, and more.
Reader Question: Who is the Nemesis in “character driven” films? Is it necessary for more character-oriented movies to feature a specific Antagonist figure?
The Business of Screenwriting: Everything You Wanted to Know About Specs Part 6: Rolling out a new writer’s spec script.
Humanize Your Nemesis We don’t need to sympathize with an Antagonist, but it we empathize with them, that makes for a more compelling character.
Scene Description Spotlight: “Butch Cassidy and the Sundance Kid” The ending sequence includes a most interesting sentence…
Interview: Kirsten “Kiwi” Smith Background and writing tips from the screenwriter of such hit movies as 10 Things I Hate About You and Legally Blonde.
Page One: “The Lego Movie” (2014) Screenplay by Phil Lord & Christopher Miller, story by Dan Hageman & Kevin Hageman and Phil Lord & Christopher Miller
Zach, every so often, I like to feature comments from some of the Old Guard who worked in movies… There’s no right way to write.
Go Into The Story Resource: Writing and the Creative Life Dozens of articles about creativity, what it is, how to nurture it, and steer our writing into the center of our creative soul.
Screenwriting 101: John Milius “A writer’s greatest fear now is not that he’s going to be no good when he sits down to write. A writer’s greatest fear is that he’s going…
Page One: “L.A. Confidential” (1997) Screenplay by Brian Helgeland & Curtis Hanson, novel by James Ellroy