2018 Scene-Writing Challenge: Week 1 Here are all of Week 1’s prompts for this year’s Scene-Writing Challenge.
Go Into The Story Interview: Charlie Wachtel and David Rabinowitz My in-depth interview with the co-writers of the movie BlacKkKlansman.
Daily Dialogue theme next week: Gambling Join the Daily Dialogue crew: 3,740 consecutive days and counting.
Daily Dialogue — August 11, 2018 “I don’t normally do this, but I felt compelled to tell you something. You have an absolutely breath-taking… heiney. I mean, that thing’s…
Reader Question: Are there any script rules that really shouldn’t be broken? Or this: “How can you break screenwriting rules if there are none?”
Interview (Part 5): Charlie Wachtel and David Rabinowitz My conversation with the co-writers of the movie BlacKkKlansman.
Writing and the Creative Life: “The Power of Structured Procrastination” “The beauty of the structured procrastination method is that it recognizes the extreme challenge in changing that pro-tomorrow vein, and…
Reader Question: Is it useful to read a bad script to see what not to do? Can we learn something from slogging through bad screenplays?
Interview (Part 4): Charlie Wachtel and David Rabinowitz My conversation with the co-writers of the movie BlacKkKlansman.
The Business of Screenwriting: Hurry up and wait The bane of a screenwriter’s existence: They want the script NOW… then they make you WAIT… and wait… and wait…
Daily Dialogue — August 9, 2018 “Yes, this is Sunset Blvd., Los Angeles, California. It’s about 5 0'clock in the morning. That’s the homicide squad, complete with…
Reader Question: Where to start when developing a story? As always, my advice is: Begin with your story’s characters.
Interview (Part 3): Charlie Wachtel and David Rabinowitz My conversation with the co-writers of the movie BlacKkKlansman.
Script To Screen: “The Insider” For you Michael Mann fans, a dialogue-driven scene which crackles with life from this 1999 movie.
Daily Dialogue — August 8, 2018 Climbing out of the pool at the Biswangers, suddenly noticing a colorfully decorated hot dog cart.
Reader Question: How to indicate a ‘jump cut’ in a screenplay? A jump cut is a transition to suggest a time ellipsis, a jump in time, hence the term.
Interview (Part 2): Charlie Wachtel and David Rabinowitz My conversation with the co-writers of the movie BlacKkKlansman.
Screenwriting 101: Tze Chun “When I was out of college I just wrote from page one. I’d just start writing a script, having a vague idea of where things were going…