Saturday Hot Links Time for the 322nd installment of Saturday Hot Links, your week’s essential reading about movies, TV, streaming, Hollywood, and other…
Interview (Written): Taylor Allen and Andrew Logan A conversation with the screenwriters of the movie Chappaquiddick.
The next Go Into The Story Reading and Analysis Script: “Get Out” Read the script for the hit “social thriller” and analyze it next week.
Interview (Audio): Guillermo del Toro A conversation with the writer-director of ‘The Shape of Water’.
Script To Screen: “Crouching Tiger, Hidden Dragon” A great fight scene from the 2000 movie Crouching Tiger, Hidden Dragon, screenplay by Hui-Ling Wang and James Schamus and Kuo Jung Tsai…
Daily Dialogue — December 29, 2017 “Everybody’s having fun out here. They drinking, they fighting, they pissing on the streets. It’s New Year’s Eve. They loving the ladies.”
Reader Question: How do I make supporting characters and interesting? One sign of a well-written script: Strongly detailed secondary characters.
“What Being an Editor Taught Me About Writing” Article by a Random House editor has a lot of takeaways for writers in general… and screenwriters.
Script To Screen: “Cool Hand Luke” A key scene from the 1967 movie Cool Hand Luke, screenplay by Donn Pearce and Frank Pierson, novel by Donn Pearce.
The Business of Screenwriting: Commencement of Principal Photography When your movie officially starts production, that triggers a writer’s payday.
Pixar: Scrapped Film Ideas Recently released video shows how far Pixar filmmakers are willing to go to find the right story… and we should, too.
How They Write a Script: Ted Tally (“The Silence of the Lambs”) Ted Tally is yet another screenwriter who started out as a playwright. His film credits include White Palace (1990), The Juror (1996), All…
Daily Dialogue — December 27, 2017 “In the meantime, I got this plan. It’s called ‘Save Ass’. And the way it works is this — I slip outta one of these windows and I run like…
Writing Goals: 2018 Links to the entire 10 part series to take stock of your creative efforts in 2017… and commit to goals in 2018.
Reader Question: Do all Protagonists need a character arc? A character’s ‘arc’ is a big buzzword in Hollywood development circles.
Screenwriting 101: Eric Heisserer “I think a really strong script that has a crackling voice and a unique character can go a long way. But it if it has a solid story concept…
Daily Dialogue — December 26, 2017 “Final resolution. Midnight kiss, New Year’s Eve. Boom! Check it off!”
Wanted: Daily Dialogue themes for 2018! Join this series tradition with your suggestions and get some creative juju!
Reader Question: Does a story absolutely need an antagonist? Is it possible to just create obstacles to what a character wants and not have them emanate from an antagonist?