Daily Dialogue — November 7, 2017 Tiffany: Walk across the room. Pat: Can we do something else besides the dance deal? Tiffany: Are you fucking kidding me? Pat: I’m good…
Reader Question: Is it okay to pitch a story with an open ending that implies a sequel? Is trying to tap into Hollywood’s franchise frenzy a smart idea or not?
Reflections of 2017 Black List Feature Writer’s Lab Participants 6 writers. 7 mentors. 6 days. 1 incredible experience.
Script To Screen: “A Serious Man” Leave it to the Coen brothers (Joel and Ethan) to come up with a denouement in their 2009 movie A Serious Man that resolves virtually…
On Writing “Don’t get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark…
Daily Dialogue — November 6, 2017 Hawk Hawkins: First one to pass out buys the beer tonight. Frank Corvin: You’re on.
2017 Austin Film Festival: Scott Frank A 3-part series of reflections on observations made by top Hollywood writer.
Dumb Little Writing Tricks That Work: Adopt a different writing persona This is a first in this humble blog’s history: Another Dumb Little Writing Trick That Work, only this one isn’t my idea, but from some…
Interview (Video): Jon Lucas, Scott Moore The writer-directors of the comedy ‘A Bad Mom’s Christmas’.
Daily Dialogue theme next week: Competition Join the Daily Dialogue crew: 3,460 consecutive days and counting.
Saturday Hot Links Time for the 314th installment of Saturday Hot Links, your week’s essential reading about movies, TV, streaming, Hollywood, and other…
Reader Question: What about a credit sequence at the beginning of a spec script? I explain why you shouldn’t do it. And also how to handle it in a spec.
Conversations with Billy Wilder & I.A.L. Diamond A 10-part series with the writers of The Apartment and Some Like It Hot.
Producer Roundtable: Judd Apatow, Jason Blum, Eric Fellner, Amy Pascal, Seth Rogen, Ridley Scott Part of The Hollywood Reporter’s annual sit-downs with Hollywood players.
Daily Dialogue — November 4, 2017 “You were going to ask me for a divorce so you could be with some fucking fuckhead Brian Speer? You kidding me? Who are you? The only thing…
Karen, check out The Writers Lab especially for women writers over 40. Started by Meryl Streep. http://thewriterslab.nyc/
2017 Austin Film Festival: Scott Frank (Part 3) Reflections on observations by Out of Sight and Minority Report screenwriter.
Interview (Written): Lindsay Doran Producer of Sense and Sensibility, Stranger Than Fiction, Nanny McPhee.
Script To Screen: “A Few Good Men” Perhaps the most memorable scene from the 1992 drama A Few Good Men, screenplay by Aaron Sorkin based on his play.
Conversations with Billy Wilder & I.A.L. Diamond [Part 10] A 10-part series with the writers of The Apartment and Some Like It Hot.
Writing and the Creative Life: The Virtues of Spacing Out and Goofing Off Finally, science is good for something! Spacing out rules!