Reader Questions and Answers on Screenplay Format and Style

Yesterday I answered a question about screenplay format — Is there a current screenplay formatting ‘norm’? — and as I always do, I checked the site’s Reader Question archive to see if I’d already covered it and was reminded as I scrolled down the list…

HOLY CRAP, I’VE ANSWERED A LOT OF QUESTIONS!!!

To wit, here are just some of the GITS posts I’ve done over the years responding to your questions about format and style:

Format and Style

Are there any script rules that really shouldn’t be broken?

Bolded sluglines: Yes or no?

Do I HAVE to use INT/EXT — LOCATION — DAY/NIGHT in scene headings?

How consistent should the tone in scene description be?

How do I know if it’s too much or too little scene description?

How do you handle one character with different names?

How much do I need to focus on “stylized writing”?

How to handle capitalization in scene description?

How to handle characters speaking in a foreign language?

How to handle dialogue happening under voice-over?

How to handle insert shots?

How to handle passage of time in a script?

How to handle POV shots?

How to handle scene in blackness?

How to handle songs in a screenplay?

How to indicate a jump cut?

How to misdirect a reader in scene description?

How to write “unwriteable moments of a film” in a screenplay?

If I’m writing and shooting my own movies, are there style and format issues I should be aware of when writing my script?

Is an 80-page spec script too short?

Is it okay for there to be more action lines in an action script?

Is it okay / advisable to put a logline on the script’s title page?

Is it okay to include an image in a spec script?

Is it necessary to have scene description before dialogue in a scene?

Is there a danger of having an Act One that is too short?

Should I use “is” construction verbs or not?

Sluglines and character intros?

Use or don’t use title cards?

What about a credit sequence at the beginning of a spec script?

What about a credit sequence in a spec script?’

What about a flashback as a ‘flashpresent’?

What about a revelation flashback?

What about breaking screenwriting style / format rules?

What about capitalizing sounds in spec scripts?

What about “establishing shots” and “establishing scenes”?

What about screenplay page count?

What about showing a character’s emotions in action description?

What about submitting a 187-page script?

What about using (CONT’D) in separated dialogue?

What about using a flashback / flash-forward as a prologue?

What does a secondary slugline/shot look like?

What guidelines are there for using scene headings / primary slug lines?

What information should I include on my script title page?

What is the absolute limit on script page count?

What is the difference between a montage and a series of shots?

What to do with a 70 page screenplay?

What’s the best way to master writing a particular type of dialogue?

What’s the structural difference between a play, a screenplay, and a teleplay?

When writing do you paint a visual picture through your action lines?

Mind you, this is just questions about format and style. The archive covers a slew of subjects ranging from Character Development to the Business of Screenwriting, the Writing Life to the Writing Process, and much more.

To access the Reader Question archive, go here.