Go Into The Story Interview: Barbara Stepansky Barbara Stepansky’s original screenplay “Sugar in My Veins” won the filmmaker a 2013 Nicholl fellowship.
Page One: “Star Trek IV: The Voyage Home” (1986) Screenplay by Steve Meerson & Peter Krikes and Harve Bennett & Nicholas Meyer, story by Leonard Nimoy & Harve Bennett, based on Star Trek…
Screenwriting 101: Michael January “Hollywood lives and dies on something that seems new and original, but is very much like something that made money before. If you, as a…
Page One: “Star Trek: Insurrection” (1998) Screenplay by Michael Piller, story by Rick Berman & Michael Piller, “Star Trek” series created by Gene Roddenberry
Go Into The Story Interview: Stephanie Shannon Stephanie Shannon’s original screenplay “Queen of Hearts” won a 2013 Nicholl Fellowship in Screenwriting.
Page One: “Star Trek III: The Search for Spock” (1984) Written by Harve Bennett, based on Star Trek created by Gene Roddenberry
On Writing “If I’m trying to sleep, the ideas won’t stop. If I’m trying to write, there appears a barren nothingness.”
Page One: “Star Trek: Generations” (1994) Screenplay by Ronald D. Moore & Brannon Braga, story by Rick Berman & Ronald D. Moore & Brannon Braga, television series “Star Trek” by…
Script Analysis: “The Tender Bar” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Star Trek: First Contact” (1996) Screenplay by Brannon Braga & Ronald D. Moore, story by Rick Berman & Brannon Braga & Ronald D. Moore
On Writing “Artistic temperament sometimes seems a battleground, a dark angel of destruction and a bright angel of creativity wrestling.”
Page One: “Stan & Ollie” (2018) Written by Jeff Pope, inspired by the book “Laurel & Hardy — The British Tours” by AJ Marriot
Go Into The Story Interview: Patty Jones Patty Jones’ original screenplay “Joe Banks” won the Vancouver based writer a 2013 Nicholl fellowship.
Screenwriting 101: Elgin James “That’s such a thing where people just sell themselves short anyway and be like ‘What is my shortcut?’ As opposed to trying to tell…
Script Analysis: “The Tomorrow War” Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Spider-Man 2” (2004) Screenplay by Alvin Sargent, screen story by Alfred Gough & Miles Millar and Michael Chabon, Marvel comic book by Stan Lee and Steve Ditko
Script Analysis: “Stan & Ollie” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Spider-Man” (2002) Screenplay by David Koepp, Marvel comic book by Stan Lee and Steve Ditko
On Writing “Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something — anything — down on…
Go Into The Story Interview: F. Scott Frazier My conversation with the screenwriter whose movie credits include XXX: Return of Xander Cage and just announced deal to adapt popular comic…
