Everything You Wanted to Know About Specs

A 20 part series, essential reading for anyone who is writing and hoping to sell a spec script.

In Part 1, we look at the genesis of the spec script in Hollywood from 1900–1942.

In Part 2, we cover the emergence of the spec script market from 1942–1990.

In Part 3, we analyze the boom, bust, and back again of 1990–2012.

In Part 4, we survey the buyers, both major studios and financiers.

In Part 5, we examine the screenwriter-rep relationship in terms of developing a spec script.

In Part 6, we explore rolling out a new writer’s spec script.

In Part 7, we delve into the subject of attaching producers.

In Part 8, we consider the value of attaching talent.

In Part 9, we learn about reps wanting to “own all the tickets”.

In Part 10, we dig into how reps generate buzz for a spec script.

In Part 11, we scrutinize the practice of slipping a script to someone.

In Part 12, we acknowledge the role that serendipity can play in the process.

In Part 13, we discuss the strategy of targeting specific buyers.

In Part 14, we drill down into the strategy of going wide.

In Part 15, we indulge in the ultimate fantasy of a bidding war.

In Part 16, we get a first-hand account of a preemptive purchase.

In Part 17, we think about one creative choice to write what they’re buying.

In Part 18, we ponder another choice to sell them your dream.

In Part 19, we reflect on the value of a spec script even if it does not sell.

In Part 20, we muse about what is means to the writer if a spec script does sell.