Saturday Hot Links
Welcome to another installment of Saturday Hot Links!
Today: The When Harry Met Sally Diner Scene Homage To Nora Ephron Edition!
Why Nora Ephron’s films made such an impact.
The New Yorker remembers Nora Ephron.
NPR: From ‘Silkwood’ to ‘Sally,’ a singular voice.
Lena Dunham remembers Nora Ephron: Seeing Nora Everywhere.
Nora Ephron: You know nothing about screenwriting until you get into filmmaking [video].
Photo gallery: Nora Ephron’s movie posters.
The wisdom of Nora Ephron: 20 invaluable pieces of advice.
Nora Ephron on women, love, happiness, reading, life and death.
The 10 best lines from Nora Ephron’s movies.
What projects was Nora Ephron working on when she died?
Godspeed, Nora.
Script reader and writer Amanda P: 10 reasons why I pass on scripts.
This is awesome: The Heroic Table of the Elements.
Ten bizarre divorce settlements.
IndieWire: 6 reviews of new indie releases this week.
Also from IndieWire: The best indie movies of 2012 so far.
Matt Singer on this summer’s movies: The fine line between ambiguity and stupidity.
High-speed video reveals the bizarre physics of Slnky. Can “Slinky: The Movie” be far behind?
TotalFilm: 50 great movie assassins.
Six summer camps for exceedingly wealthy children.
Want to download the series bible from “The Wire”? You can do it here.
Ten fake books from movies we wish we could read.
The early jobs of twenty-four famous writers.
Fifteen famous authors on why they write.
Must read Vanity Fair article on the making of The Godfather.
Ten shocking secrets of flight attendants.
Nine baffling movie merchandise tie-ins.
Producer Joel Silver and Goldman Sachs settle $30M legal dispute.
Movie investors sue over ‘one of the greatest box office flops of all time’. Can you guess the movie?
Your eBook is reading you.
Apple gives up on Hollywood.
Ten authors and their typewriters.
What went down with Spielberg’s “idea summit” about Minority Report.
25 insights into becoming a better writer.
Fifteen unforgettable summertime coming-of-age movies.
Village Roadshow finalizes $275M in new capital.
’50 Shades of Grey’ author’s husband lands a book deal.
Ten classic movies that their contemporary critics hated.
Building better Olympic athletes.
BRIC news: Hollywood eyes Russian opportunities.
What your favorite ice cream flavor says about you on a date.
Austin Film Festival announce conference and panelist lineups.
Ten Latin phrases you pretend to understand.
World’s most valuable movie poster could sell for $1M.
10 of the strangest apocalypses in literature.
German B.O. up 4% mid-year despite soccer slump.
Nick Offerman reads tweets from young female celebrities [video].
Hollywood film pitch = Venture capital pitch?
The stories behind 11 regional soft drinks.
Emma Thomas says Christopher Nolan will never make another Batman movie.
Van Gogh’s “Starry Night” recreated with 7,000 dominoes.
Media Corp announces plan for business split.
TotalFilm: 50 great ensemble casts.
Who invented the knuckleball?
Four ways to approach transmedia storytelling.
Is technology killing romance?
Ang Lee: How skateboarding, cooking and boxing taught me how to make movies.
BBC: What makes us laugh?
Watch a supercut of every movie ever screened on Mystery Science Theater 3000 [video].
WSJ: 10 brands that will disappear in 2013.
Is James Cameron shooting all three Avatar sequels at the same time?
Ten reasons why Twitter is great for writers.
And finally, if you click on only one of these links today, make it this one: The ultimate fan site for The Shining. Truly incredible.
Screenwriting Master Class tip of the week: So this whole Quest thing has sorta taken off. And I’m happy to work with up to four writers in the “Go Into The Story: The Quest” initiative — for free. I’m happy to support those of you who will piggyback on that process with “Go On Your Own Quest.” But do you realize this is all based on something called The Quest [no quotes] that I offer through SMC?
You can read about it here. There is nothing like The Quest offered anywhere else and after months of preparation and beta testing, I am excited to launch it.
Why is The Quest unique?
* Coherent: Like most writers, you’ve probably picked up a little bit of insight here, some ideas there, a Smörgåsbord of concepts that either works… or doesn’t. The Quest derives from one perspective on the craft: Mine. If you like what you read here on GITS, you get that. Much, much more of it.
* Comprehensive: It’s 8 weeks of theory [Core], 6 weeks of breaking your story [Prep], 10 weeks of pounding out that first draft [Pages]. Everything tied and working together to inspire and inform your creative process. What’s more, you can use this approach on all future writing projects.
* Character-based: It seems to me a vast majority of screenwriting theories and paradigms focus almost exclusively on screenplay plot which is in my view a big reason why so many managers, agents, producers, and execs complain about formulaic scripts and thin characters. With The Quest, everything starts and ends with characters. And the plot? It emerges from the characters. As in Character = Plot.
I have designed The Quest as a one-on-one private workshop. It’s pricey, yes. But you not only get all of the above, you get me as your mentor. Written feedback. Teleconferences. As a screenwriter, you make hundreds and hundreds of story choices. How much value is it to have an experienced writer and educator watching your back?
Plus with that one-on-one dynamic, we can focus on the bigger picture: It’s not just about writing a script, it’s about getting knowledge — specific principles and practices — to help you think like a professional screenwriter. Long-term, this maximizes your chances of achieving success in Hollywood and other film centers.
I have poured twenty-five years of knowledge, heart, and soul into this workshop. My passion for it is why I decided to do the “Go Into The Story: The Quest” initiative.
You don’t have to wait. I am accepting a select few writers to take up The Quest with me. I will cap that number to ensure I have enough time to really dig into each participant’s story. And I won’t be taking on any others for several months.
We’re all excited about “Go Into The Story: The Quest.” And “Go On Your Own Quest.” I’d like to add the inspiration for the whole thing into the mix: The Quest.
As always I look forward to the opportunity to work with you.
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