Screenwriting 101: Andrew Marlowe
“Sometimes you’ll get a note, ‘This scene is boring, can we put in a car chase?’ What you should take from that note is this scene, this quiet scene you intended to be emotionally devastating is boring. That means you might not have done your work setting up the characters or the relationships, 20, 30, 40 pages earlier.”
— Andrew Marlowe
For 100s more articles in the Screenwriting 101 series, go here.
The Protagonist’s Journey: An Introduction to Character-Driven Screenwriting and Storytelling is a #1 Best Seller in Film and Television. Endorsed by over thirty professional screenwriters, novelists, and academics, you may purchase it here.