Script Analysis: “Nightcrawler” — Part 4: Themes
Reading scripts. Absolutely critical to learn the craft of screenwriting. The focus of this weekly series is a deep structural and thematic analysis of each script we read. Our daily schedule:
Monday: Scene-By-Scene Breakdown
Tuesday: Major Plot Points
Wednesday: Sequences
Thursday: Themes
Friday: Takeaways
Today: Themes.
I have this theory about theme. In two parts. First, a principle: Theme = Meaning. What does the story mean? Second, while there is almost always a Central Theme, there are multiple other Sub-Themes at play in a story. Therefore the question, What does a story mean takes on several layers of meaning?
Time to ponder themes in Nightcrawler.
For Part 1, to read the Scene-By-Scene Breakdown, go here.
For Part 2, to read the Major Plot Points, go here.
For Part 3, to read the Sequences, go here.
Written by Dan Gilroy.
IMDb Plot Summary: When Louis Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.
Writing Exercise: Explore the themes in Nightcrawler. What is its Central Theme? What are some of the related Sub-Themes?
REQUEST: We have some incredible scripts in the GITS library which we have yet to analyze including Saving Mr. Banks and many more.
I am looking for volunteers to read a script and provide a scene-by-scene breakdown for it to be used as part of our weekly series. What do you get? Beyond your name being noted here, my thanks, and some creative juju, hopefully you will learn something about story structure and develop another skill set which is super helpful in learning and practicing the craft.
The latest volunteers:
12 Years a Slave — Farzin Farzam
Birdman — Doc Kane
Dallas Buyers Club — Devin Dingler
Frozen — Doc Kane
Gone Girl — Ashley
Looper — Michael Perkins
Nebraska — David Joyner
Nightcrawler — Marija Nielsen
The Wolf of Wall Street — Paul Graunke
Thanks, all!
To see examples of scene-by-scene breakdowns, go here. Part of the goal is to create a library of breakdowns for writers to have at their disposal for research and learning.
You may see the scripts we can use for the series — free and legal — by going here.
To date, we have analyzed 47 movie scripts, a great resource for screenwriters. To see those analyses, go here.
Thanks to any of you who will rise to the occasion and take on a scene-by-scene breakdown.
And for those of you who have volunteered, please send me your scene-by-scene breakdown as soon as possible!
Circling back to where we started, reading scripts is hugely important. Analyzing them even more so. If you want to work in Hollywood as a writer, you need to develop your critical analytical skills. This is one way to do that.
So seize this opportunity and join in the conversation!
I hope to see you in comments about this week’s script: Nightcrawler.
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