Go Into The Story Interview: Damien Chazelle A 2014 conversation with the writer-director of Whiplash.
Page One: “The Sun Is Also a Star” (2019) Screenplay by Tracy Oliver, based on the novel by Nicola Yoon
Screenwriting 101: William Kelley “The secret to screenwriting is short sentences, small words, and BIG pictures.”
Go Into The Story Interview: Murder Ink My conversation with Brandon Broussard, Hudson Obayuwana, and Jana Savage, the writing team behind the 2021 Black List script “Homecoming.”
On Writing “What you want is practice, practice, practice. It doesn’t matter what we write (at least that is my view) at our age, so long as we write…
Go Into The Story Interview: Jon Boyer My conversation with the writer of the 2013 Black List script Free Byrd.
Page One: “Star Trek VI: The Undiscovered Country” (1991) Screenplay by Nicholas Meyer & Denny Martin Flinn, story by Leonard Nimoy and Lawrence Konner & Mark Rosenthal, based on the television…
Go Into The Story Interview: Chris Borrelli My conversation with the writer of the 2009 Black List script The Vatican Tapes.
Page One: “Star Trek V: The Final Frontier” (1989) Screenplay by David Loughery, story by William Shatner & Harve Bennett & David Loughery, based on “Star Trek” created by Gene Roddenberry
Page One: “Star Trek: The Motion Picture” (1979) Screenplay by Harold Livingston, story by Alan Dean Foster, based on Star Trek created by Gene Roddenberry
Screenwriting 101: Nicholas Kazan “The first time I said no (as in ‘No, I will not do that to my script’), it was a liberating experience… ‘No’ is the single most important…
Page One: “The Fountain” (2006) Screenplay by Darren Aronofsky, story by Darren Aronofsky & Ari Handel
Screenwriting 101: Charlie Kaufman “I think it’s my responsibility to write about the things that interest me. I feel that I’d be doing a disservice to anybody and everybody…
Page One: “They Live” (1988) Screenplay by John Carpenter, based on the short story “Eight O’Clock in the Morning” by Ray Nelson
On Writing “I don’t know much about creative writing programs. But they’re not telling the truth if they don’t teach, one, that writing is hard work…
Page One: “The Texas Chain Saw Massacre” (1974) Screenplay by Kim Henkel and Tobe Hooper, story by Kim Henkel
